Showing Piglet and Pooh walking in the Snow
Posted: Sat Jul 12, 2025 6:24 am
Look no further than April 2025’s A Minecraft Movie that relied on the Minecraft IP to pull in over $150 million in a single weekend in the United States and Canada, as well as over $900 million worldwide across its theatrical run. As studios continue to embrace IP and risk-aversion as rules of the game, creators must either find ways to craft original stories within these confines, or find another way to keep the cost down, such as working in a historically proven low-cost genre: Horror.
Horror films are a popular selection for filmmakers as they can be made more economically compared to other genres by utilizing fewer elements such as limited locations, small casts, and visual ambiguity to enact the horror/unease. There is a long lineage of economical horror films that set off careers including John Carpenter’s Halloween, Sam Raimi’s The Evil Dead, and Mike Flanagan’s Absentia. Each film was made for less than $500,000, unadjusted for inflation, and launched careers of well known whatsapp number list and successful filmmakers. While each film is hugely varied and different from one another, they are all connected by one common element: being original stories. But when IP is heavily guarded and protected by risk-averse studios, it makes sense to turn to the public domain for creative freedom as an independent filmmaker working with budgetary constrictions.
Though shaped by the same constraints and standards, the resulting films vary wildly. Some horror films adapted from public domain works lean heavily on shock value while others take a more reflexive approach, using the tools of horror to comment on copyright itself. In 2022, Winnie-the-Pooh: Blood and Honey utilized the shock elements to draw an audience, while 2025’s Screamboat embedded a metatextual critique of copyright lengths.
An iconic illustration by E. H Shepard from the first Pooh book. This iconography has helped to make the Pooh stories recognizable worldwide.
Horror films are a popular selection for filmmakers as they can be made more economically compared to other genres by utilizing fewer elements such as limited locations, small casts, and visual ambiguity to enact the horror/unease. There is a long lineage of economical horror films that set off careers including John Carpenter’s Halloween, Sam Raimi’s The Evil Dead, and Mike Flanagan’s Absentia. Each film was made for less than $500,000, unadjusted for inflation, and launched careers of well known whatsapp number list and successful filmmakers. While each film is hugely varied and different from one another, they are all connected by one common element: being original stories. But when IP is heavily guarded and protected by risk-averse studios, it makes sense to turn to the public domain for creative freedom as an independent filmmaker working with budgetary constrictions.
Though shaped by the same constraints and standards, the resulting films vary wildly. Some horror films adapted from public domain works lean heavily on shock value while others take a more reflexive approach, using the tools of horror to comment on copyright itself. In 2022, Winnie-the-Pooh: Blood and Honey utilized the shock elements to draw an audience, while 2025’s Screamboat embedded a metatextual critique of copyright lengths.
An iconic illustration by E. H Shepard from the first Pooh book. This iconography has helped to make the Pooh stories recognizable worldwide.